In art, Cupid often appears in multiples as the Amores, or in the later terminology of art history, the equivalent of the Greek erotes.
Cupids are a frequent motif of both Roman art and later Western art of the classical tradition.
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An element of this constituency was also infuriated by the recent opening of betting shops on Good Friday for the first time, even though there was no racing in Britain to bet on – punters had to get their fix from French and German courses, football and greyhounds.
He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love.
Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as "Love conquers all" and the retaliatory punishment or torture of Cupid.
In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.
Cupid continued to be a popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love.
Randall is on a second honeymoon to Scotland with her husband Frank in 1945 when she is transported back to 1743 courtesy of a mysterious set of standing stones.